Blackmagic Design URSA Mini 4.6K Digital Cinema Camera (EF-Mount)
Model: CINECAMURSAM46K/EF
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Sensor
Size | 25.34 x 14.25 mm (Super-35) |
Lens Mount | Active Canon EF |
Effective Resolution | 4608 x 2592 |
Dynamic Range | 15 stops |
Shooting Resolutions | 4608 x 2592 4096 x 2304 (4K 16:9) 4608 x 1920 (4K 2.4:1) 3840 x 2160 (Ultra HD) 3072 x 2560 (3K Anamorphic) 2048 x 1152 (2K 16:9) 1920 x 1080 |
Frame Rates | 23.98, 24, 25, 29.97, 30, 50, 59.94, 60 fps |
Recording
Media Card Slots | 2 x CFast 2.0 |
Metadata Support | Automatic camera data and user entered data such as shot number, filenames, and keywords |
Data Rates | 4608 x 2592: CinemaDNG Raw 3:1 - 180 MB/s CinemaDNG Raw 4:1 - 135 MB/s 3840 x 2160: Apple ProRes 444 XQ - 312.5 MB/s Apple ProRes 444 - 165 MB/s Apple ProRes 422 HQ - 110 MB/s Apple ProRes 422 - 73.6 MB/s Apple ProRes 422 LT - 51 MB/s Apple ProRes Proxy - 22.4 MB/s 1920 x 1080: Apple ProRes 444 XQ - 62.5 MB/s Apple ProRes 444 - 41.25 MB/s Apple ProRes 422 HQ - 27.5 MB/s Apple ProRes 422 - 18.4 MB/s Apple ProRes 422 LT - 12.75 MB/s Apple ProRes Proxy - 5.6 MB/s |
Recording Formats | CinemaDNG Raw (Lossless or 3:1/4:1 Compressed) @ 4608 x 2592, 4096 x 2304, 4608 x 1920, 3072 x 2560, and 2048 x 1152 (film dynamic range) Apple ProRes @ 3840 x 2160, 1920 x 1080 (film or video dynamic range) |
General
Weight | 5 lb / 2.3 kg |
Microphone | 2 x Built-in cardioid microphones for stereo recording with -10dB pad and low-cut filter |
Speaker | Integrated mono (enabled in playback when headphones are not used) |
Controls | Touch screen menus on 5" screen, push button controls for navigating menus |
Mounting Options | Integrated rod mounts compatible with 15mm Light Weight Support (LWS) standard |
System Requirements | Mac OS X 10.9 or newer, Windows 7 (64-bit) or 8 (64-bit) Note: See Blackmagic website for detailed system requirements and configuration guides. |
Power Connectors | Inputs: 1 x 4-pin XLR input for external power supply or battery 1 x 12-pin molex connector on rear battery plate Outputs: 1 x 12V output using 4-pin XLR for powering external accessories such as EVF 1 x 12V regulated output from rear molex 12-way connector |
Battery Plate Support | Mounting holes for V-mount and Gold Mount battery plates |
Operating Temperature | 32 to 104°F / 0 to 40°C |
Storage Temperature | -4 to 113°F / -20 to 45°C |
Humidity | 0 to 90% RH, non-condensing |
Dimensions | 8.2 x 7.6 x 5.8" / 21 x 19.3 x 14.7 cm |
Display
Resolution | 1920 x 1080 |
Screen Type | LCD capacitive touchscreen |
Dimensions | 5" diagonal |
Connections
Reference | 1 x Reference input |
Timecode | 1 x Timecode input |
Analog Audio Inputs | 2 x XLR -- selected mic/line level and +48 V phantom power |
SDI Audio Output | 2-channel |
Remote Control | 2 x LANC on 2.5 mm sub-mini -- controls record START/STOP, iris, and focus |
USB | 1 x USB 2.0 mini type B for software updates |
Supported Standards | SDI Compliance: SMPTE 292M, SMPTE 424 Level B, Draft SMPTE 2081-1, Draft SMPTE 2082-1 SDI Audio Sampling: 48 kHz and 24-bit |
Output | 1 x 12G-SDI -- 10-bit 4:2:2 |
The new URSA Mini Pro G2 features the familiar form factor of the URSA Mini Pro 4.6K, while boasting a number of under-the-hood upgrades. The first, and perhaps most important, is the inclusion of the new Blackmagic RAW codec.
With the URSA Mini Pro G2, techs can switch hit between filmmaking during the week and IMAG duties on the weekend. Here’s what else this camera can do.
So far, this camera exceeds expectations. The images it produces are fantastic. There are a couple minor menu/functionality issues I hope they address in upcoming firmware updates, but nothing major.
Excellent Camera! I have no magenta cast nor vignetting. The Dynamic Range is Amazing! If your a DSLR user, don't expect to shoot with this camera straight out of the box. This is not a low light camera also, this is a cinema camera so you need lights on many occasions.
Great image, a lot of quirks but normal to a Blackmagic User. Great under <8k camera for what you get.
I don't typically do reviews for anything I buy, but this was a huge purchase and I figured I could help someone else pull the trigger. I'm a musician and filmmaker, and bought this camera to continue raising the quality of my films.
Blackmagic confirmed a defective sensor in the first G2 I received, but everything looks as it should on the replacement
I run a production company and rental house in LA and had the original URSA Mini 4.6k, followed by the URSA Mini Pro G1 and now the URSA Mini Pro G2. The G2 has significantly less noise than the G1. ISO 800 looks clean. 1600 looks good, but some noise.
Ive been running BM cameras since the BMCC 2.5K and the G2 is easily their best. Really pleasing image, dynamic range, and beautiful color, as youd hope.My new unit unfortunately had a few issues including: turning on at random, when off; rampant noise after booting up that slowly dissipates...
This camera is absolutely amazing!!! They may have had some production issues in the first few runs but they seem to have thier act together now. The video quality is absolutely superb and the included Davinci software is incredible for color grading.
Great Camera! be prepared to buy add ons especially for run and gun. image is superb and much better overall experience than the original ursa and the production camera. check out my video review on youtube via techjmedia [...]
I endlessly research professional cameras, even still, since buying one. I shoot and edit vids for a large non-profit company 5 days a week. I got this, thinking it would suit me best over the many other choices because of the black magic color science, the prores/raw options and rez.
- Super-35mm CMOS Sensor
- 4608 x 2592 Video up to 60p
- Compressed + Uncompressed Raw Recording
- Ready-to-Edit ProRes 444 + 422 Recording
- Dual CFast 2.0 Memory Card Slots
- 12G-SDI Output, Timecode and REF Input
- 1080p Flip-Out Screen
- Touchscreen Interface
- 2x XLR Audio Inputs with Phantom Power
- Magnesium Alloy Body