Sony E PZ 18-110mm f/4 G OSS Lens
Model: SELP18110G
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General Information
Mount | Sony E |
Format | APS-C |
Focal Length | 18-110mm |
35mm Equivalent Focal Length | 27-165mm |
Lens Elements/Groups | 18 / 15 |
Angle of View | 76° to 14° 30' |
Maximum Aperture | f/4 |
Minimum Aperture | f/22 |
Number of Aperture Blades | 7 |
Minimum Focus Distance | AF/MF Mode Wide-Angle: 15.75" / 40 cm AF/MF Mode Telephoto: 37.4" / 95 cm Full MF Mode: 37.4" / 95 cm |
Maximum Magnification | 0.122x |
Filter Diameter | 95mm |
Optical Image Stabilization | Yes |
Zoom Type | Selectable: Mechanical or servo |
Dimensions | Diameter: 4.3" / 110mm Length: 6.6" / 168mm |
Weight | 2.4 lb / 1.1 kg (without tripod foot) |
The Sony E PZ 18-110mm f/4 G OSS is quite an unusual lens for photographers to consider, but it is useful as a superzoom lens which offers a wide constant aperture. Although primarily intended for a video audience, it’s easy to see how a stills audience would also be attracted to it.
I'm a Sony FS7 user since the moment the camera came available. The original 28-135 lens was always good for any shot that fit my focal length needs. That meant interviews and anything requiring longer focal lengths.
Actually it's a professional manual standard lens
I've had this lens for about seven months now and it's the best lens for DSLR / ENG work in this price range. It's a great lens and Sony is really doing a great job with molding this lens to be a all purpose lens.
Sharp and color neutral. Much improved over the 28-135 as there is no zoom lag and focus feels direct. I prefer it to the fujinon VX lenses but wish is was 1 stop faster.
I purchased this lease to replace my Sony 28-135 kit lens that came with my FS7. This lens is much better to shoot b-roll with. The 28mm just wasn't wide enough to be effective and the fly by wire zoom drove me nuts. If this lens was a f/2.8 I would have given it 5 stars.
I bought this lens to replace the Sony 28-135 for use on my FS7. Because this lens is designed for the super 35 format and because it is 18mm at the wide end it is good for hand held use and yet it still has good reach at the long end. The lens is sharp and neutral in it's color rendition.
This lens solves all the problems that came with the 28-135, namely the focal range is much better for doc work and the zoom mechanism has been fixed. Still a bit slow at f4, but hard to beat for the price.
I got this through a bundle deal with the FS7mkii. I was quite unsure about the whole thing, I have been hands on with the 28-160mm and it was straight out useless for my needs. Just a bit too narrow at the wide end, but serious lag in the fly-by-wire manual zoom was the biggest issue.
I bought this lens not really knowing if I was going to keep it or not. It was depending on how it performedwith my A7r2 and FS7. I come from a Stills lens background, not Cine but I wanted something that could give me an all around look and serve numerouspurposes, while I was shooting different...
I purchased Sony 18-110 as soon as it became available and started using right away. Despite some annoying details, still convinced that this is the lens I need. I will keep it and will get used to it. But why 3.5 out of 5? What kind of details?
- APS-C/Super35 E-Mount Lens
- Aperture Range: f/4 to f/22
- One Aspherical & Two ED Elements
- Smooth Motion Optics
- No Focus Shift or Lens Breathing
- Switchable Manual and Servo Zoom
- Internal Focus
- Optical SteadyShot Image Stabilization
- Control Rings for Focus, Zoom, and Iris
- Removable Tripod Foot
Average Expert Score
Average User Score
- Sony E PZ 18-110mm f/4 G OSS Lens
- ALC-SH148 Lens Hood
- Front Lens Cap
- R1EM Rear Lens Cap for E-Mount Lenses (Dark Gray)
- Lens Case
- Tripod Foot
- Limited 1-Year Warranty